My writing year 2024

My Victorian murder mystery novel Jekyll & Hyde: Consulting Detectives was published in hardback by Titan Books in Oct 2024.

I also had 8 short stories published:

My essay ‘The Problem of the Faithful Pastiche’, about Sir Arthur Conan Doyle and adaptations featuring well-known characters, was published in Writing the Murder: Essays on Crafting Crime Fiction, published by Dead Ink, Sep 2024.

I also won the Best Short Fiction Award at the British Fantasy Awards in October! The winning story, ‘The Brazen Head of Westinghouse’, was first published in IZ Digital (Interzone), then reprinted in Best of British Science Fiction 2023 (NewCon Press).

2024 projects

This is what I wrote this year:

  • The final 20,000 words of a murder mystery novel begun last year
  • The first 20,000 words of a cosy crime novel
  • A full 100k draft, then structural edits of a commissioned novel yet to be announced
  • Three short stories

In total, I wrote 181,450 words and spent 331 hours writing or editing.

Looking ahead to 2025

Early next year I’ll be able to announce two new books, both of which I’m very excited about.

As for what I’ll actually be writing, for the first time in several years I’ll begin the year with a relatively blank slate, which is also very exciting. Who knows what I’ll be reporting having written, this time next year!

Publication day! JEKYLL & HYDE: CONSULTING DETECTIVES

The time has finally arrived – I have a new book out… today!

When Muriel Carew attends a lavish society party, the last person she expects to bump into is her ex-fiancée Henry Jekyll, a man she’s not seen for many years. When Jekyll turns out to be investigating a series of missing persons in London, Muriel is intrigued. But Jekyll is not working alone, and if Muriel wants to aid in the investigation, she must work with both Henry and his partner, the monstrous and uncouth Mr Hyde.

JEKYLL & HYDE: CONSULTING DETECTIVES is a Gothic murder mystery that I absolutely loved writing…

…and it’s also a very lovely hardback book that would look very pretty on any bookshelf. It’s got beautiful endpapers, an embossed gold birdcage and even a sort of flickbook effect going on in the page corners.

Here’s what other authors have said about the novel:
 
Jekyll & Hyde: Consulting Detectives is a fast-paced gothic thriller that is relentlessly engaging, entertaining, and (most important of all) terrific fun.”
Tom Mead (Death and the Conjuror / Cabaret Macabre)
 
“A wonderful concept, beautifully executed. Delightful and enthralling in equal measure. Replete with a delicious Victorian atmosphere, as thick as a pea-souper.”
Jeremy Dyson (The League of Gentlemen / Ghost Stories)
 
“Tim Major has come up with one of those ‘damn it, I wish I’d thought of that’ concepts: Henry Jekyll as a dissipated Sherlock Holmes to Edward Hyde’s demented Dr Watson. But this splendid novel is more than just a cool idea; it’s a rip-roaring, dark-hearted tale that yokes a cunning murder-mystery plot to the Gothic horror of Stevenson’s famed novella. The sequel can’t come too soon.”
James Lovegrove (Sherlock Holmes and the Highgate Horrors)
 
“Riveting, ingenious, original. I kinda wish I’d thought of this myself!”
Adam Christopher (Stranger Things: Darkness on the Edge of Town)
 
“Highly enjoyable, terrifically good fun, very well paced, and full of relish for Stevenson’s original story.”
JS Barnes (Dracula’s Child)

Jekyll & Hyde on NetGalley

My novel Jekyll & Hyde: Consulting Detectives is almost here! It’ll be published in a beautiful hardback edition on 3 September 2024. But perhaps you needn’t wait so long as that….

If you’re a reviewer or book blogger or similar, and if you’re signed up with a NetGalley account, you may be able to access the novel early here.

The first review of the novel is in, too. It’s from Kirkus Reviews, and it’s lovely! Here’s an excerpt:

“As in Robert Louis Stevenson’s 1886 novella, the solution to the mystery is even more horrifying than the mystery itself. Major does such an admirable job with the heaviest lift here—coming up with a case that fully engages Jekyll/Hyde’s double nature without being overwhelmed by it—that it’s hard to imagine how he’ll manage it again. But expectations are high.”

You can read the full review here.

And if this convinces you, maybe you’d like to preorder Jekyll & Hyde: Consulting Detectives right this minute!

Announcement – JEKYLL & HYDE: CONSULTING DETECTIVES

Exciting news is the very best way to begin a new year! I’m thrilled to announce that Titan Books will publish my novel JEKYLL & HYDE: CONSULTING DETECTIVES, and I’m very excited about it.

Here’s the Publishers Marketplace announcement:

More details soon! If you’re impatient to know more, please consider signing up to my email newsletter, as I’ll be including additional plot tidbits in the first newsletter, to be sent out imminently…

My writing year 2022

This year I had the following work published:

Sherlock Holmes: The Defaced Men (Titan) – my second Holmes novel (after The Back to Front Murder), featuring cinema pioneer Eadweard Muybridge.

Sherlock Holmes – The Twelve Thefts of Christmas

Sherlock Holmes & The Twelve Thefts of Christmas (Titan) – a ‘Christmas special’ of a Holmes novel, featuring Irene Adler’s ‘advent calendar of crimes’ and with central roles for Mary Watson and Mrs Hudson.

Shade of Stillthorpe (Black Shuck) – a weird, folk horror-ish novella about family, fatherhood and changelings.

The Marshalls of Mars

‘The Marshalls of Mars’ (IZ Digital / Interzone) – a short story about parenthood and isolation, featuring Meryl and Rich, the protagonists of my first published Interzone story, back in 2014.

It’s less than in previous years, but still a substantial enough output overall, I think. Most of all, I’m proud of all of this work.

I’ll be honest: 2022 hasn’t been the easiest year for writing and publishing. The year began with the disappointing cancellation of an anthology that would have included one of my stories, and would have represented a huge ambition fulfilled. It was also the first year in around a decade in which I didn’t begin working on a new original novel, which leaves me feeling that I haven’t made proper progress. Instead, most of the year was spent making revisions and editorial changes to two projects begun last year, and drafting the first half of a commissioned tie-in novel.

While I spent just under 300 hours writing, so much of my time was spent editing that I wrote fewer words than I have since 2018 – just over 172,000 words, compared to 286,000 words last year.

The year also involved a great deal of waiting. Though waiting is a fundamental characteristic of the publishing industry, and usually I’m fairly resistant to it, the long delays for feedback on drafts and submissions hit me hard this year, making progress on new projects far more difficult. It’s the first time I’ve been conscious that my writing career can have a negative impact on my mental health.

Another frustration was that my Christmas Sherlock Holmes title, The Twelve Thefts of Christmas, was affected by the IT software issue that has disrupted Waterstones warehousing and supply since the summer. The book was a month late to arrive in bookshops, and even then it failed to appear in most stores, despite (it seems) copies being ordered by booksellers. Given that it’s very much a seasonal novel, it’s now had its chance.

However – I mention these things not as complaints, but simply as a record of my year. I’m aware that I’m in a privileged position, and that I’m fortunate in that my work is still being published. More than anything, I continue to love writing, and I still have the luxury of plenty of time in which to do it.

The year to come is a little unpredictable, but there is one exciting element: the publication of an original novel that I’m really excited about, and that I’ll hopefully be able to announce soon. In fact, I’m determined to do right by this book in terms of publicising it widely, so I’ll be talking about it a lot. Apologies in advance.

Publication day: Sherlock Holmes and The Twelve Thefts of Christmas

My new Sherlock Holmes novel, The Twelve Thefts of Christmas, is published today! Here’s a picture of me in an unironed but halfway-festive shirt to celebrate.

Sherlock Holmes and The Twelve Thefts of Christmas
There are plenty of knotty mysteries within the shiny golden covers of this beautifully designed hardback, but I’ve also tried to make the tone like a sort of ‘holiday special’. It features loads of Holmes favourites in prominent roles: Irene Adler, Mrs Hudson, Mary Watson, Inspector Lestrade, even good old Toby the dog.

Here’s the description:

Sherlock Holmes’s discovery of a mysterious musical score initiates a devious Christmas challenge set by Irene Adler, with clues that are all variations on the theme of ‘theft without theft’, such as a missing statue found hidden in the museum gallery from which it was taken.

In the snowy London lead-up to Christmas, Holmes’s preoccupation with the Adler Variations risks him neglecting the case of his new client, Norwegian arctic explorer Fridtjof Nansen, who has received a series of threats in the form of animal carcasses left on his doorstep. Could they really be gifts from a strange spirit that has pursued Nansen since the completion of his expedition to cross Greenland? And might this case somehow be related to Irene Adler’s great game?

Find out more about the book here.

US publication day – Sherlock Holmes: The Defaced Men

I was away on holiday when it was published in the UK, so failed to post about it here, but as today is the publication date for my Sherlock Holmes novel THE DEFACED MEN, I thought I’d take the opportunity to celebrate its release!

In this novel, Holmes’s new client is Eadweard Muybridge, the godfather of cinema, whose life is under threat. Holmes and Watson will need to draw on technology associated with cinema in order to solve a mystery that continues to grow and grow.

I had such fun incorporating my love of early cinema into a Holmes adventure! Hopefully it resulted in a satisfyingly knotty mystery, too. You can find more details about the novel here.

Announcement: Sherlock Holmes & The Twelve Thefts of Christmas

I’m very pleased to announce that my third Sherlock Holmes novel, and my second to be published by Titan Books in 2022, will be published in October. This one’s a bit of a ‘Christmas special’ (Irene Adler! Mrs Hudson! Mary Watson! Inspector Lestrade! Toby the dog!) called THE TWELVE THEFTS OF CHRISTMAS. Here’s a description:

Sherlock Holmes’s discovery of a mysterious musical score initiates a devious Christmas challenge set by Irene Adler, with clues that are all variations on the theme of ‘theft without theft’, such as a missing statue found hidden in the museum gallery from which it was taken.

In the snowy London lead-up to Christmas, Holmes’s preoccupation with the Adler Variations risks him neglecting the case of his new client, Norwegian arctic explorer Fridtjof Nansen, who has received a series of threats in the form of animal carcasses left on his doorstep. Could they really be gifts from a strange spirit that has pursued Nansen since the completion of his expedition to cross Greenland? And might this case somehow be related to Irene Adler’s great game?

It’ll be published in hardback on 18th Oct 2022 by Titan Books. Here’s the cover:

Sherlock Holmes & The Twelve Thefts of Christmas

My Writing Year 2021

There’s certainly been a sense of things having come to a standstill in 2021. I’ve left the house a lot less than usual (even when it was allowed), and my starting point on that score was not much at all. However, in terms of my published work, I have to remind myself that things actually did happen, even though there was relatively little feedback when they did.

Sherlock Holmes: The Back to Front Murder

Despite having had no opportunity to speak to anybody in person about it, I published a novel this year: the Sherlock Holmes mystery The Back to Front Murder, which has gone across well, and seems to have satisfied Holmesians and casual readers alike, as far as I can tell. I’m particularly pleased that the consensus is that the novel captures Conan Doyle’s style and Watson’s voice, as this was the aspect I found most daunting, though it turned out to be the most satisfying to tackle.

Universal Language

And there was a novella, too: Universal Language is a locked-room mystery set on Mars, and I’m very proud of it. This is the publication that’s most suffered from the lack of conventions this year, and I hope it’ll find its way to more readers when things open up again.

It’s been a good year for short fiction, with fewer publications overall, but all stories I’m proud of having written, appearing in venues I really like and respect. They were:
– ‘The Andraiad’ in Interzone
– ‘The Living Museum’ in Shoreline of Infinity
– ‘Goodbye, Jonathan Tumbledown’ in Out of the Darkness (Unsung Stories)
– ‘The Cardboard Voice’ in Nightscript

While writing fiction has often seemed trivial compared to world events, I’ve done a lot of it in 2021 all the same. In fact, I wrote far more this year than I have in any other year to date – I’m honestly not quite sure how! I didn’t write at all in January due to lockdown and home-schooling, and all but gave it up during the summer holiday, too. Despite this, I spent more than 350 hours writing, and wrote more than 285,000 words. As always, I’m aware that quantity is relatively meaningless, and yet I’m proud that I’m dedicating so much time to my favourite activity.

The chart above shows my progress with longer projects. The dark red, dark blue and green data lines show three completed novels. One of these is my upcoming second Sherlock Holmes novel, The Defaced Men, which will be published in August 2022, one is a non-Holmesian Victorian mystery novel, and the third is a difficult-to-classify contemporary novel that’s currently with beta readers. The light blue line shows continued work on a huge, mad novel that I began during last year’s lockdown, which I’ll keep fiddling with in between other projects. The light red line shows the first 20k words of a commissioned novel I’m currently working on.

So, 2022 promises to be busy. After I complete the commissioned novel, I’ll return to the two other almost-finished novels to make changes before sending out to publishers, then perhaps I’ll return to the enormous novel that’s been running in the background for more than a year. After that, who knows? But it’s nice to know where I’m going for the time being. In terms of publications, there’ll be Sherlock Holmes: The Defaced Men in August, and my current project later in the year, plus a short story in an anthology I’m really excited about – in fact, getting to write this story is one of the most exciting things that’s happened to me as a writer so far, and one of the best Christmas presents I’ve had in adulthood. More details soon, I hope.

It’s a funny feeling, being quite glum about the future in wider terms, yet remaining so excited about writing and work. Perhaps we all need to be a bit introspective and self-centred in order to get by at the moment – is that fair to say? Either way, I anticipate having my head buried in work as much as possible next year.

Announcement: Sherlock Holmes – The Defaced Men

I’m very pleased to say that in 2022 Titan Books will publish my second Sherlock Holmes novel, The Defaced Men, almost exactly one year after my first, The Back to Front Murder. I’ve had so much fun writing Holmes and Watson, and completing this second novel has been just as enjoyable as the first.

Here’s the description:

A white-haired, bearded client arrives at Baker Street and is recognised immediately by Holmes. This client is being threatened by someone unknown to him through curious means: doctored lecture slides, and Watson realises this is Eadweard Muybridge, pioneer of animal and human locomotion photographs, who presents his motion-study animations to interested parties through his zoopraxiscope device. When the two attend one of his lectures they find disturbing alterations to Muybridge’s slides he swears he did not put there and as they investigate further, discover murder and conspiracy with the fledgeling arts of photography and cinema at its heart…

I’m fascinated by early cinema, so writing about Muybridge was a gift, and I’ve had great fun showing Holmes and Watson encountering the new medium of film for the first time.

And here’s the cover!

Sherlock Holmes: The Defaced Men

Sherlock Holmes: The Defaced Men will be published by Titan Books on 23rd August 2022.

Sherlock Holmes: The Back to Front Murder Published

My Sherlock Holmes novel, The Back to Front Murder, was published by Titan Books in the UK this week, and will be available in the USA a few days from now. Holmes’s client is a mystery author whose latest murder plot has been enacted in real life… before her novel has been written.

Sherlock Holmes: The Back to Front Murder

I’ve had a such a good time writing Holmes and Watson – particularly the latter; there’s a lot in this novel about Watson as an author, and I think I’ve projected a lot of my imposter syndrome onto him.

Another thing I’ve discovered this week is that it’s a relief to have written a novel that’s easily categorised. Do you like Sherlock Holmes novels? Then maybe you’d like this Sherlock Holmes novel.

As well as (positive!) reviews, a couple of articles relating to The Back to Front Murder appeared online this week: CrimeReads hosted my article titled ‘The Joys and Difficulties of Writing a Faithful Sherlock Holmes Novel’ and Trans-Scribe conducted a really good Q&A covering the challenges of channelling Arthur Conan Doyle, Watson as narrator, female characters in the canon and favourite Holmes stories. More articles will be appearing soon.

Other than that, visit this page to find out more details about the book.

Announcement: Sherlock Holmes – The Back-to-Front Murder

Holmes and Watson

Publication news! I’m happy to say that my Sherlock Holmes novel THE BACK-TO-FRONT MURDER will be published by Titan Books in August. In fact, it’s the first of two, with the second due out at the same time next year, both classic tales in the Conan Doyle style. Here’s the blurb for this first one:

May 1898. A new client arrives at Baker Street – Abigail Moone, a wealthy, independent writer of successful mystery stories under a male pseudonym. She presents an unusual problem. Abigail claims that she devised a man’s death that was reported in that morning’s newspaper: that is, she planned his murder as an event to be included in one of her mystery stories. Following real people and imagining how she might murder them and get away with it is how Abigail comes up with her plots, but this victim has actually died, apparently of the poison method she meticulously planned in her notebook. Someone is trying to frame Abigail for his death, but with the evidence stacking up against her, she turns to Holmes to prove her innocence.

I’ve had so much fun writing as Watson and attempting to channel Conan Doyle. Completing this novel has been one of the most straightforwardly happy writing experiences I’ve had (though the plot is anything but straightforward, of course), and I hope it shows.

HOPE ISLAND articles from around the web

Hope IslandA bunch of HOPE ISLAND articles have appeared online in the last couple of days:

Five of the biggest influences on HOPE ISLAND, including books, films and music – at The Dreamcage.

My ‘favourite creepy children’ – that is, my favourite books and films featuring creepy children, all of which influence HOPE ISLAND to some degree – at The BiblioSanctum

An interview covering my inspirations, my introductions to genre fiction, the state of the industry and future projects – at The Civilian Reader.

My list of ’10 sideways slides into fantasy’ – that is, classic novels in which weirdness creeps up on you, or pops up at unexpected moment – at Horror Tree.

A book soundtrack for HOPE ISLAND, including a Spotify playlist and reasons for each track pick – at Daily Dead.

In addition, more reviews have appeared in various places. For example: Ginger Nuts of Horror, the British Fantasy Society, the Morning Star, and Sublime Horror. Here’s an excerpt from the latter one:

“Intelligent and with a warm, beating heart at its core, Hope Island is that breed of novel that transcends genre definition… The portrayal of Nina’s emotional pain is soaringly honest and had me hooked from the get-go. In truth, I could have written this review using one word only – brilliant – and it would be enough. Hope Island is a claustrophobic, paranoid and exhilarating read.”

Book birthday: HOPE ISLAND

Book birthday! HOPE ISLAND is published today in the UK.

It’s obviously not the ideal time to be launching a book, and it feels really strange that none of us can wander into a bookshop right now. So, here’s a convincing simulation of HOPE ISLAND on the shelf, not least so that you can appreciate Julia Lloyd’s terrific spine design. (I don’t normally alphabetise my books, FYI.)

Hope Island on shelfHere’s the back-cover blurb:

Workaholic TV news producer Nina Scaife is determined to fight for her daughter, Laurie, after her partner Rob walks out on her. She takes Laurie to visit Rob’s parents on the beautiful but remote Hope Island, to prove to her that they are still a family. But Rob’s parents are wary of Nina, and the islanders are acting strangely. And as Nina struggles to reconnect with Laurie, the silent island children begin to lure her daughter away.

Meanwhile, Nina tries to resist the scoop as she is drawn to a local artists’ commune, the recently unearthed archaeological site on their land, and the dead body on the beach…

You can find much more information about the book, and endorsements and reviews, here.

If you’re in the UK, the book is available for only £7.99 on Hive.co.uk, and part of the money goes to an independent bookshop of your choice.

HOPE ISLAND published in the US

HOPE ISLAND is published in the US today! Here it is, modelled by my youngest son, who I can assure you is nothing like the creepy (murderous?) children in the novel.

The first reviews of the novel are starting to appear online, too. Starburst said there’s ‘a dash of John Wyndham and a soupcon of The Wicker Man in the richly-atmospheric latest novel from Tim Major’, and To the Ends of the Word blog concluded that ‘you should definitely check out this novel if your idea of horror is the psychological type, where the eeriness creeps upon you slowly but surely.’

HOPE ISLAND is out today (5th May) in the US, and 8th June in the UK, published by Titan Books. More details here.

HOPE ISLAND available on NetGalley

Here’s a new way for bloggers, reviewers, librarians and booksellers to read HOPE ISLAND ahead of publication – Titan Books is now on NetGalley! Click here for all the details if you fit the bill.

HOPE ISLAND is described as:

Hope Island by Tim MajorA gripping supernatural mystery for fans of John Wyndham’s The Midwich Cuckoos from the author of Snakeskins. Workaholic Nina Scaife is determined to fight for what remains of her family after her partner walks out on her. Relocating to the beautiful but isolated Hope Island is not the fix she had hoped for. Struggling to reconnect with her daughter, the island’s strange silent children begin to lure her away. And then Nina finds the dead body.

By the way, like some other Titan titles, HOPE ISLAND will now have a staggered publication: 5th May in the USA, 8th June in the UK.

It’s not just my novel available – there are five titles in Titan’s initial batch of releases. I’ve been lucky enough to have read two of the books already (as well as the one I wrote, obv). I described EDEN by Tim Lebbon as ‘visceral, cinematic and utterly wild’ and A COSMOLOGY OF MONSTERS by Shaun Hamill as ‘a staggeringly good debut novel, by turns warm and terrifying, tender and devastating’. And while I haven’t read James Brogden’s BONE HARVEST yet, his earlier novels HEKLA’S CHILDREN and THE PLAGUE STONES are some of my favourite recent horror novels. And DESCENDANT OF THE CRANE by Joan He sounds truly awesome too!

The journey of a novel: Snakeskins

I hope you’re all managing in these strangest of times. After the first two weeks of lockdown and homeschooling, my brain’s starting to come alive again, little by little, by which I mean I’m writing again.

I’ll have updates about my next novel, Hope Island, very soon – but for now here’s a turning-back of the clocks by almost a year, to my last novel, Snakeskins. The article below was originally intended to feature in BSFA Focus, but after a mix-up it’s now without a home, so I thought I’d put it up here. It’s an overview of the writing and route to publication, which may be of most interest to upcoming writers.


Beginnings and false starts

In July 2015 I noted the following idea in a Word document:

Instead of the body’s cells gradually being replaced every 7–10 years, it all happens in an instant. This produces a ‘snakeskin’ version of yourself that is able to live independently, for a time. Somebody living a full life might produce eight Snakeskins, each of which continue to live for a short period after being ‘discarded’.

It sounded a rich idea, and even had a title built in. I began writing a story about a teenage girl experiencing her first ‘shedding’, roughly coinciding with her entry to adulthood. The result was… all right. I liked the depiction of the shedding ceremony well enough, but the aftermath felt too brief, constrained by the short story format. I had concentrated on this aspect: Perhaps Snakeskins tend not to be inhibited because they know they have limited time to live. Are they therefore more effective people? But this seemed only one possible repercussion, and more occurred to me over the following days. I wrote this list – the first item no doubt informed by the fact that I was considering quitting my job at the time:

Pros of Snakeskins:

  • You might be able to convince your Snakeskin to do your day job for you
  • Someone to confide in, who understands you entirely
  • Rejuvenation?
  • Sheddings represent important milestones in life, especially the first one

Cons:

  • Can’t necessarily control or even relate to your Snakeskin
  • Unwanted responsibility for someone else
  • Interruption to normal life
  • Desperately sad – like caring for someone with terminal illness

The short story had been vague about the world in which the characters existed. I began to wonder about aspects that might affect wider society. Had people always produced Snakeskins? Did everyone produce them? Did the process have some scientific basis, or was it essentially magic? How would Snakeskins expire – an ordinary death, or something stranger?

Continue reading “The journey of a novel: Snakeskins”

HOPE ISLAND cover reveal

My next novel, HOPE ISLAND, has a cover! Once again, it’s by the wonderful Julia Lloyd, who also designed the SNAKESKINS cover.

The novel features a remote island, creepy children, ethereal cave songs and, after a fairly quiet start, quite a lot of dead bodies.

Hope Island by Tim MajorThe Barnes & Noble blog hosted the cover reveal – if you click through to the announcement you’ll also find a short extract to whet your appetite…

HOPE ISLAND will be published by Titan Books in the UK and USA in May 2020.

Another SNAKESKINS review and a ‘best of’ pick

I figured that the review cycle for SNAKESKINS was probably at an end, but it seems I was wrong. Last week the novel was reviewed in the Sun newspaper, of all places, and very favourably too! Take a look at the (slightly grainy, sorry) scan =>

Not only that, but following the Financial Times review of the novel at the end of May, the same newspaper has now selected SNAKESKINS as one of its best books of the summer! It’s only one of four SF titles selected, alongside Arwen Elys Dayton’s Stronger, Faster and More Beautiful, MG Wheaton’s Emily Eternal and Tade Thompson’s The Rosewater Insurrection. It includes only a short summary of the book, but featuring on this list, with those authors, is something that makes me feel enormously proud.

A sobering, startling satire set in an alternate UK where a privileged few live lives that are longer and healthier than most by means of generating clones of themselves — “Skins” — which instantly disintegrate. When Caitlin Hext’s Skin doesn’t die as planned, terrible truths about her world come slithering into the light.

You can see the growing list of reviews for SNAKESKINS, and read blog posts and listen to the book soundtrack etc, here.

SNAKESKINS reviewed in the Financial Times

This is a cheering end to publication month… SNAKESKINS has been reviewed by James Lovegrove for the Financial Times, and he seems to have enjoyed it very much! Here’s the final paragraph of the review:

“Tim Major masterfully weaves his plot strands together, studding Snakeskins with images of duality and metamorphosis to create a dark and compelling vision of corruption and conspiracy with a subtly satirical edge.”

You can read the full review online here.

Update: It was also published in the FT Weekend edition on 1st June! Click the image to enlarge.

 

SNAKESKINS – two weeks in the world (almost)

SNAKESKINS, my novel about a group of people who produce spontaneous clones, was published by Titan Books on 7th May. That seems a long time ago now! Today marks the end of an intense and intensely fascinating period – a fortnight-long marketing blitz which involved huge numbers of book bloggers and Instagrammers posting information, snippets, Q&As, giveaways and responses to the book. It’s been unlike anything I’ve experienced in the past. As I noted in my previous blog post, it took me a while (that is, all of launch day, which I frittered refreshing webpages obsessively) to understand that this process didn’t directly involve me – though of course I’d generated interview responses and blog posts etc before the event.

Snakeskins Interzone review May19As I’d hoped, week two has been markedly more casual and enjoyable. As well as my easing up on the F5 key, this was also the week in which a greater number of reviews began to filter through – culminating with the new issue of Interzone popping through my letterbox yesterday. The Interzone review is very positive and I’ve been buzzing ever since I read it. The fact that the reviewer is so enthusiastic about the novel is incredible (‘unflinching characterisation and at times deadly prose’ … ‘he’s set the bar high if he’s going to top this’), but just as incredible is the fact that Interzone contains a full-page review of my novel at all. When I first started writing fiction in 2013, my stated ambition was to receive a rejection slip from Interzone. Seriously, a rejection slip, rather than publication, because it would signal that I was giving this writing thing a real shot. I was delighted with that rejection slip. Then the next year my first story was accepted for Interzone – my first big sale, and the moment when I felt like I might have something to offer as a writer. To have graduated to a full-page review of my new novel feels equally as significant a milestone.

So, that was a big moment. What else? I was tipped off that a full-page ad for the book appeared on the back cover of Locus magazine (the US genre trade mag), which is pretty ace (thank you, Titan!). But while I wait for more reactions from readers and reviewers, the main activity has been updates on various book blogs. On top of the interviews and guest posts I mentioned last week, these pieces were published this week:

Oh, and I recorded my first radio interview! If you’re in the Manchester area you can listen to me talk at length to Hannah Kate on her show, Hannah’s Bookshelf (Saturday 18th May, 2–4pm). After the broadcast I’ll share links to listen online. I thoroughly enjoyed the conversation, but I’ll be wincing in embarrassment when I listen to the show, no doubt.

And there have been more reviews. Here are just a few:

Snakeskins has so much more in it than you might first imagine. It’s packed full of slowly revealed alternate history, it has mystery that unfolds at a great pace, and characters who aren’t superheroes but real people with believable motivations and personal stories. I read Snakeskins in one day because I couldn’t put it down, but the story, the world, and those who inhabit it will stay with me much, much longer.” Set the Tape

“Snakeskins is an excellently crafted and often horrifying look at identity and what it means to be human. … A keen look at human nature and the workings of a corrupt government” Pythia Reads

“I really went into this one not knowing what to expect, and ended up devouring it in two days! It’s fast-paced, the characters are well developed, it’s weird, and it’s totally British … I think folks who are into things like The X-Files or Orphan Black would love this!” Grimdark Dad

“This is an intriguing SciFi conspiracy novel which, as with all good SciFi, uses high concept ideas to explore prescient issues about our society’s treatment of people, and it’s bloody good too.” The Hebridean Reader

There are a lot more reviews besides those – I’m doing my best to collect them all on the dedicated SNAKESKINS page.

On top of this, I’ve been keeping an eye (okay, checking twice a day) on the Goodreads page for the book. It’s looking okay, I think! As of today there are 20 ratings, with a mean average of exactly 4 stars. If you do read the novel, I’d be grateful if you could post an honest review on Goodreads and, even better, Amazon. I’m told that amazing things happen if you get to 50 reviews, and I daren’t even imagine what that might be.

So, in short, all still going well. I suspect I’ll feel slightly adrift next week, without the tangible evidence of book blog updates. I’ve have to keep reminding myself that I have proof that people are reading the book right now, because that’s what this is all about, isn’t it?

SNAKESKINS – its first few days in the world

Well… It’s been a dizzying week. SNAKESKINS was published on Tuesday! It’s in hundreds of bookshops in the UK and the USA – I have photographic evidence! It’s being read right now! People seem to like it!

If I’m honest, I didn’t much enjoy publication day itself. My jittery anxiety translated into me checking my phone every 10 minutes for updates (and there were updates, every time). Wednesday was a bit better. By Thursday I was in the groove.

Because all that goodwill I mentioned a few days ago? It seems that it wasn’t just talk. To begin with, people are buying the book. They’re walking into bookshops or adding it to their Amazon cart. Phew. Furthermore, people who’ve read it seem to have genuinely enjoyed the experience. Whether all of this leads to more sales and more readers, I have no idea, and it’s out of my control. But things are still going as well as I could possibly hope. I keep trying to take snapshots of the current state of things, and the snapshots keep encouraging me.

The most visible evidence that the book is real and out there is the social media promotional tour going on right now. I’m a newbie to Instagram, but there seems a lot of traffic surrounding the book, ably orchestrated by the Titan marketing team, who are amazing. Part of learning to go with the flow this week has been making a decision that the Instagram activity doesn’t need to involve me, and perhaps is better off for me watching but not participating – as mixed in with the Q&As, giveaways and terrific photos are reviews and comments. I’m applying the age-old author rule of not responding to reviews, even when they’re positive. (But do you know what? They really are positive reviews, hooray!) If you follow #snakeskinstour or #titanbooks, you’ll see what’s cooking. The photos alone warm my heart.

Book blogs are more my comfort zone, and there’s a lot of blog activity too. Here are some handy links to everything that’s been published so far on this two-week social media blitz:

And there’s lots more to come!

Snakeskins blog tourFinally, reviews… any author’s waking nightmare. Except these are really positive! Here’s a taster:

“A heart stopping & thought provoking read, which will make you question how you would see your own identity in those circumstances & challenge your perceptions of acceptance.” (5 stars) Paperbacks and Pinot

“I read a lot of YA, yet this adult SF novel is by far one of the most convincing portrayals of burgeoning maturity I’ve ever read. … It’s a remarkably thoughtful consideration of identity and humanity, as the best sci-fi thrillers invariably are.” The Frumious Consortium

“…bizarre, and deeply resonant … glimpses of Adrian Barnes and Atwood at her very weirdest … Somehow otherworldly and yet so incredibly human, politically relevant but also touching on universal themes of identity and mortality, Snakeskins is a novel I will be thinking about for a very long time.”  Folded Paper Foxes

“It’s an unusual setup for an intricate political thriller that coils in on itself, tightening the tension as it circles toward satisfyingly shocking answers.” Barnes & Noble blog

So… I’m more than happy with the ways things are going. Here’s to lots more anxiety and (hopefully) more pleasant surprises next week, as more reviews come in. I’m doing my best to collect articles and reviews on the dedicated SNAKESKINS page. Or you could just skip all that and buy a copy? Just saying.

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SNAKESKINS publication day!

SNAKESKINS is published today! This is my grateful and baffled and happy and anxious face.

Tim Major - Snakeskins publication day 1Thanks to everyone who’s bought a copy already or shared promos or just been generally supportive, to the authors who provided blurbs, to Titan editorial and marketing, to Rose. I’ve no idea how it’ll pan out from here on in, but the book has had the best possible start in life. Thank you!

Find out more about SNAKESKINS here.